Current events

Ludwig van Beethoven (1770–1827)
Piano Trio-B-Dur  Op. 12 “Gassenhauer”, Cello Sonata in C major, Op. 102 No. 1

Robert Schumann (1810–1856)
Three Romances, Op. 94

INTERMISSION

Robert Schumann (1810–1856)
Fairy Tales, Op. 132

Gabriel Fauré (1845–1924)
Trio in D minor, Op. 120

Concert introduction at 6:45 p.m. with Dr. Norbert Gertsch (G. Henle Verlag)

Subject to change

Haydn’s Cello Concertos – A Challenge Not Only for the Performers

Haydn’s masterpieces for cello and orchestra present challenges not only for the musicians on stage. For centuries, scholars and editors have grappled with fundamental questions: How often has Haydn’s famous name been exploited for forgeries? And how reliable is the surviving musical text—are we really hearing what Haydn intended?

Join us in the search for possible answers.

The lecture will be presented in English.

Programme subject to change.

Michael Rotschopf reads. Oliver Herbert plays the cello. Together, they conjure an hour of words and music about the courage to be oneself.

Walt Whitman, Oscar Wilde, Thomas Mann, Natalia Ginzburg, Dawn Avery, Iannis Xenakis and Pablo Casals – their voices, along with others, come together in an unusual literary and musical collage.

It is about rebellion and freedom, temptation and resistance – and about the question of when courage changes our lives. And whether sometimes we first have to go looking for it, only to discover that it has been there all along.

An afternoon for everyone who loves great writing and music, and who is open to bold and daring ideas.

Michael Rotschopf is an actor – and an exceptional interpreter of the spoken word. Trained at the Max Reinhardt Seminar, he was engaged by Vienna’s Burgtheater while still a student. He has worked with directors such as Peter Stein, appeared at the Berliner Ensemble, the Salzburg Festival and the Staatsoper Unter den Linden, and is also well known from film and television. For many years, Michael Rotschopf has also been in demand as a narrator and speaker in concerts, radio plays and audiobooks. Among other appearances, he performed at Carnegie Hall in Bernd Alois Zimmermann’s Requiem for a Young Poet.

Oliver Herbert is a cellist who has recently completed his studies at the Kronberg Academy. The American musician is a recipient of the 2021 Avery Fisher Career Grant and has appeared as a soloist with orchestras including the San Francisco Symphony and the Chicago Symphony Orchestra. He has a particular interest in contemporary music and in bringing familiar works into dialogue with newer, lesser-known repertoire.

Subject to change.

Benjamin Britten (1913–1976)
Les Illuminations, Op. 18

Edward Elgar (1857–1934)
Elegy

Wolfgang A. Mozart (1756–1791)
Concerto No. 4 in D major, K. 218

Subject to change

Camille Saint-Saëns (1835–1921)
Concerto No. 1 in A minor, Op. 33

Ludwig van Beethoven (1770–1827)
Symphony No. 5 in C minor, Op. 67

Subject to change

Dr.-Ing. Thomas Zwieg, Chief Developer at the string manufacturer Larsen Strings A/S, offers insights into the interaction between instrument, strings, bow and bowing technique — and into what musicians can do themselves to influence the response, articulation, volume and timbre of their string instrument.

The lecture will be held in English and is intended for participants in the Cello Masterclasses as well as interested visitors.

Subject to change.

Excerpts from:

Joseph Haydn (1732–1809)
Concerto No. 1 in C major, Hob. VIIb 1 and No. 2 in D major, Hob. VIIb 2

Luigi Boccherini (1743–1805)
Concerto No. 3 in D major, G 476

INTERMISSION

Pyotr Tchaikovsky (1840–1893)
Variations on a Rococo Theme, Op. 33

Max Bruch (1838–1920)
Kol Nidrei in D minor, Op. 47

Prizewinners’ Concert of the Cello Masterclasses

Subject to change