Current events

Wolfgang Amadeus Mozart (1756–1791)

Symphony No. 39 in E-flat major, K. 543
Symphony No. 40 in G minor, K. 550
Symphony No. 41 in C major, K. 551 “Jupiter”

Tickets plus fees available from www.philharmonie-merck.de & www.ztix.de

Subject to change

Organizer: Deutsche Philharmonie Merck

Clara Schumann (1819–1896) 
Romance No. 1

Luciano Berio (1925–2003) 
Duos No. 6, 24, and 32

Arvo Pärt (1935*) 
Spiegel im Spiegel

Robert Schumann (1810–1856) 
String Quartet No. 3 in A Major

ADDITIONAL PERFORMERS:

Guido Sant’Anna, violin 
Sam Rosenthal, viola 
Oliver Herbert, cello 
Itamar Carmeli, piano 

The ticket price for the Wednesday Concerts includes one drink on the evening of the concert.

Subject to change.

Pyotr Tchaikovsky (1840–1893)
Sérénade
Déception
Sérénade
N'importe que l'hiver
Les larmes
Rondel

Franz Schubert (1797–1828)
Ellens Gesang I
Ellens Gesang II
Ellens Gesang III

Gustav Mahler (1860–1911)
Um schlimme Kinder artig zu machen
Starke Einbildungskraft
Phantasie aus Don Juan
Winterlied
Ablösung im Sommer

INTERMISSION

Richard Strauss (1864–1949)
Drei Lieder der Ophelia, Op. 67, Nos. 1–3
Du meines Herzens Krönelen, Op. 21, TrV 160, No. 2 – 2'30
Hat gesagt, bleibt's nicht dabei, Op. 36, TrV 186, No. 3 – 2'10

Enrique Granados (1867–1916)
From Tonadillas
3. El Tra-la-la y el Punteado
5. El Majo Tímido
6. Callejeo
7. El mirar de la Maja
8. Las Currutacas modestas
9. El Majo discreto

Franz Schubert (1797–1828)
Two Scenes from the Play “Lacrimas”
Lied des Florio – 3'10
Delphine – 4'30
Der Musensohn, D. 764 – 2'15

Pre-concert talk one hour before the concert begins

Subject to change

From Phillip Telemann to the Present Day

The ensemble Frankfurt Chamber Brass was founded in 1991. Its musicians are members of the Frankfurt Opera and Museum Orchestra — one of Germany’s leading orchestras.

Music from the Renaissance and Baroque periods is performed just as naturally as works from the Classical and Romantic eras or contemporary compositions, as well as excursions into blues, jazz, and crossover projects.

Guest performances have taken the ensemble to renowned festivals such as the Rheingau Music Festival, the Würzburg Mozart Festival, the Weilburg Castle Concerts, the Kronberg Festival, and the Bad Hersfeld Festival.

Tickets, plus fees, are available at the box office and in advance at www.frankfurtticket.de.

Subject to change.

Organizer: Lions Club Eschenheimer Turm, Förderverein e.V.

John Cage (1912–1992) 
'Story' from Living Room Music, for spoken quartet

Arnold Schönberg (1874–1951) 
'Erwartung' aus: Vier Lieder, Op. 2, No. 1 (transc. Miles for cello and piano)

Olivier Messiaen (1908–1992) 
Quartet for the End of Time for violin, cello, clarinet and piano

John Cage (1912–1992) 
4'33" for quartet

ADDITIONAL PERFORMERS:

Amira Abouzahra, violin 
Isa Trotta, piano 
Pablo Barragán, clarinet

The ticket price for the Wednesday Concerts includes one drink on the evening of the concert.

Subject to change. 

A musical journey from the Baroque to the 20th century.

French guitarist Thibaut Garcia is one of the outstanding artists of his generation. With subtle expressiveness, technical mastery, and a special poetic quality of sound, he takes the audience on a musical journey — from the Baroque to the 20th century.

In his richly varied programme, Garcia traces an arc from the elegance of French Baroque music and the structural power of Bach to the colourful sound world of Spanish and Latin American music of the 20th century.

Ticket price plus fees, available at the box office and in advance at www.frankfurtticket.de

Subject to change.

Organizier: Taunusgitarre e.V. / www.taunusgitarre.com

The programme is curated by the students themselves and will be announced at a later date.

The ticket price for the Wednesday Concerts includes one drink on the evening of the concert.

Subject to change. 

The concert places Antonín Dvořák’s Symphony No. 9 in E minor, “From the New World” — the Slavic composer’s most famous work — at the centre of the programme.

It also reveals, through Nikolai Rimsky-Korsakov’s Concert Fantasy from The Golden Cockerel, Maurice Ravel’s Tzigane, and A. S. Spienelli’s Romano Dives, the many ways in which musical influences from Roma and Sinti culture have left their mark on the classical orchestral repertoire. 

Nikolai Rimsky-Korsakov (1844–1908)
Concert Fantasy from “The Golden Cockerel” for violin and orchestra

Maurice Ravel (1875–1937)
“Tzigane” Rhapsody for violin and orchestra

Antonín Dvořák (1841–1904)
Symphony No. 9 in E minor, Op. 95 “From the New World”

Alexian Santino Spinelli (*1964)
“Romano Dives” for orchestra

Ticket price plus fees; available at the box office and in advance from Frankfurt Ticket. 

Subject to change

Organizer: Philharmonischer Verein der Roma und Sinti e.V.

Johann S. Bach (1685–1750)
Motet “Fürchte dich nicht, ich bin bei dir,” BWV 228

Motet “Komm, Jesu, komm,” BWV 229

Motet “Der Geist hilft unser Schwachheit auf,” BWV 226

Motet “Singet dem Herrn ein neues Lied,” BWV 225

Motet “Lobet den Herrn,” BWV 230

Motet “Jesu, meine Freude,” BWV 227

Subject to change